Musicology Direction: Comparison on Two Contrasting Readings
Offer a 5,000 word critical comparison of at least TWO contrasting readings that exemplify the concerns
of the new musicology.
Suggested
Readings for
MUMA 720 – Musicology Assignment
·
Bergeron, Katherine and Philip Bohlman, eds. Disciplining Music: Musicology and its
Canons (1996)
·
Brett, Philip, Wood, Elizabeth and Thomas,
Gary C., eds. (1994). Queering the Pitch:
The New Gay and Lesbian Musicology.
·
Citron, Marcia (1993). Gender and the Musical Canon.
·
Clément, Catherine. Opera, or the Undoing of Women(1999)
·
Cook, Nicholas and Everist, Mark, ed. (1999).
Rethinking Music.
·
Cusick, Suzanne. Francesca Caccini at the Medici
Court : Music and the Circulation of Power(2009)
·
DeNora, Tia (1996). Beethoven and the Construction of Genius: Musical Politics in Vienna , 1792-1803.
·
Kramer, Lawrence
(1995). Classical Music and Postmodern
Knowledge.
·
Kramer, Lawrence
(1990). Music as Cultural Practice,
1800-1900.
·
Kramer, Lawrence
(2003). Franz Schubert: Sexuality,
Subjectivity, Song. Cambridge
University Press.
·
Leppert, Richard. The Sight of Sound: Music, Representation, and the History of the Body(1995)
·
McClary, Susan and Leppert, Richard, eds.
(1987). Music and Society: The politics
of composition, performance and reception.
·
McClary, Susan (1991). Feminine Endings.
·
McClary, Susan (2000). Conventional Wisdom.
·
Pederson, Sanna (2000). 'Beethoven and
Masculinity', in Burnham, Scott and
Steinberg, Michael P. (eds), Beethoven and his World, pp. 313–331.
·
Schwarz, David (1997). Listening Subjects: Music Psychoanalysis, Culture.
·
Solie, Ruth, ed. (1993). Musicology and Difference.
·
Subotnik, Rose Rosengard (1991). Developing Variations: Style and Ideology in Western Music.
·
Subotnik, Rose Rosengard (1996). Deconstructive Variations: Music and Reason in Western Society.
·
Van den Toorn, Pieter C. (1996). Music, Politics and the Academy.
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